Top 10 Songs by: Genesis

  • Someone said that you only really like a band if you have real trouble deciding what your top 10 songs of theirs are. Good point. It turns out that not as many acts meet that criterion as I would have thought. But when I remember one, I make up a playlist for it…

10. Your Own Special Way

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9. Blood On The Rooftops

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8. Entangled

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7. Follow You Follow Me

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6. Ripples

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5. Please Don’t Ask

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4. Los Endos

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3. Duke’s Travels

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2. Many Too Many

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1. Afterglow

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All Top 10s in this series…

    Music and Movies of the Year 2017

    I always enjoy compiling end-of-year lists. For the past few years I’ve added all the new music I like to a Spotify playlist, then selected my favourite songs from that year’s list to make a top 10, or 20. It’s normally been quite tough to narrow it down, but this year there was an entirely different problem: I could barely find 10 songs I really liked. For me, it’s been a dreadful year for new music. There’s nothing which would have made my top 5 in 2016, 2015, or 2014. Still – for what it’s worth – here are the 65 songs I put on the list. Good, but not great.

    Movies of the Year

    However, the opposite applied when it came to movies. 2017 was the best year for ages. I think that even the winners in 2016, 2015 and 2014 barely compete with the best of this year’s releases.

    I saw 61 new movies at the cinema in 2017. This was a new record for me, just passing my target of 60. Thanks to The Light Cinema in Cambridge for making it such a good experience. There were only three films which I’d class as duds (It Was 50 Years Ago Today, Baywatch and Table 19) and one I simply disliked (The Florida Project). That’s a pretty good ratio, so I think I’ll set myself the same target for 2018. Any more and I suspect the dud-count might run unacceptably high. Here then are my Top Ten Movies of 2017…

    10. Colossal


    9. Star Wars: The Last Jedi


    8. Hidden Figures


    7. Paddington 2


    6. Toni Erdmann


    5. Baby Driver


    4. The Death of Stalin


    3. Dunkirk


    2. La La Land


    1. Blade Runner 2049


    You can see my full list, ranked, at Letterboxd.

    “Faces Of The Year” Printable Christmas Picture Quiz 2017

    I made up a quick quiz for our Christmas party last night, and one or two people asked if they could have copies to recycle at their own gatherings, so here it is (below, click for printable PDF). All entrants need to do is to identify the faces who have been in the news for good and bad reasons this year. Do use and enjoy, wherever you may be. I reckon it’s best tackled in teams of two.

    Our winners scored 21/25, so a decent score is possible.

    Admission: I’ve removed two of the original faces, as nobody got them!

    Anyway, here it is (click for PDF):

    Christmas Quiz 2017

    …and here are the answers!

    If you print this out and use it, please give full credit as: “I got it off some bloke’s website somewhere”. Thank you.

    Seriously? Meme

    Heidi Allen MP in the House of Commons, 2 November 2017. In response to some right-winger making some typically appalling comment.


    Cambridge Folk Festival 2017 thoughts

    Another year, another Cambridge Folk Festival – our 27th in succession, by current reckoning. Many people have been going far longer: it really is an institution. I’m not a huge folk music fan, just a local resident who loves the whole experience. However, that’s not unusual. I reckon the real folk fans at the event have probably been in a minority for a long time now. It doesn’t matter – it’s a fantastic crowd of all ages. Quite a few changes took place this year, by Cambridge Folk Festival standards, and there’s plenty to talk about.

    Our period as festival regulars has coincided almost exactly with organiser Eddie Barcan’s time here. However, last autumn Eddie left to “move on to new opportunities” due to “strategic developments within Cambridge Live”. It’s quite clear that Eddie’s experience would be hard to replace, and I think it showed in places over the weekend. The event normally appears to run like clockwork for most of the 14,000 attendees, but it was a bit frayed at the edges this year.

    Examples include having to queue up for 30 minutes on Thursday evening just to get in (that’s never happened before); observing some vocal disagreements between stage staff; technical problems with one or two acts, such as Shirley Collins; and most obviously, tickets still being available up to and over the weekend. I can’t remember the event not being sold out before. None of this spoiled our enjoyment of the event, but all of them make me worry slightly.

    Fantastic Negrito: quite simply, fantastic

    Then there was the programming. This year saw the introduction of a ‘guest curator’, Jon Boden. I don’t know how much this was for show, and how much influence Jon had over the choice of acts and the scheduling. For general music fans – and we’re probably the majority of attendees – it wasn’t the most exciting lineup, and the failure to sell out the event wasn’t that surprising to me. That said, we often moan about how much better it was in the past, but if you look back over previous lineups, many of them are a lot more underwhelming than many of us care to remember. In the end, it’s usually more about the unknown discoveries we make than the biggest names. However it was disappointing to have a near absence of the ‘festival darlings’ which we expect to see. Acts like The Unthanks, The Saw Doctors, Kate Rusby and Show Of Hands are all very much alive and well, but weren’t here. It left an unfilled hole.

    I heard that there’d been a – perhaps slightly misguided – plan to promote Friday as a “Ladies Day”, but this had been quietly put on the back burner, while leaving the predominantly female lineup in place. Unfortunately we ended up with one of the weakest single-day lineups I can ever remember (nothing to do with it being female per se), maybe because the organisers had only given themselves half of the choice of acts which they might have had otherwise. Friday’s lineup was all anybody seemed to be talking about on Saturday.

    Of course there were some wonderful moments on the Friday (step forward Amelia Coburn!), but that night should be – and normally is – a joyous occasion. Let’s just say that Shirley Collins deserved a more appropriate slot.

    Martin Simpson: genius

    And when did the festival decide to stop giving more than one performance to each act? One of the best things about acts having a stage 1 slot on Saturday and a stage 2 slot on Sunday was that if they clashed with someone else you liked, it wasn’t so important. You always had another chance. This year I’m not sure if anyone got two goes on the main stages, which gave us some excruciating decisions to make: Jon Boden & The Remnant Kings or Lau? Jake Bugg or Martin Simpson? Jake Isaac or Oysterband? These were all acts which featured prominently in the festival promotion and who were then pitched against each other. I wasn’t the only one getting a bit grumpy about this. And don’t get me started on the acts which were on too early in the day (Fantastic Negrito) or on too small a stage (Jake Isaac).

    There were some notable successes though. The new opened-up food area was, for everyone I spoke to, a triumph. It was sad that the rain probably dampened the food vendors’ profits hugely, but the new arrangement was really conducive to displaying them better and getting us to buy more. Wonderful too to see classy local favourites like Guerrilla Kitchen and Chip Chip Hooray at the festival.

    Above all, the quality of the music overcame the distractions and the poor weather. Here was my annual post-festival tweet of my top acts. I suspect Admiral Fallow and Lau would have been in there had I been able to see them.

    Oh, and one more message to the organisers: a programme which doesn’t fit in your pocket? What were you thinking?

    I’d love to hear other festival attendees’ thoughts below.

    Frank Turner & The Sleeping Souls: roof-raising

    General Election Football Analogy

    I once tried to explain the parliamentary electoral system to a teenage relative, using footballing terms. It’s not a perfect analogy, but it’s a lot more perfect than the way we choose our government.

    “Imagine we’re having an election to choose which club plays in the Champions League next season – Chelsea, Manchester United, Accrington Stanley, whoever”


    “However, we don’t get to vote for which team we want; each part of the country gets to vote for one of the players. So let’s say in East Anglia, we get to vote for the left-back.”

    “So if I think Southampton’s left-back is the best left-back in the country, I would vote for him?”

    “That’s right; you don’t get to vote for the club which is going to play in the Champions League next season, but you do get to vote for your favourite left-back.”

    “OK… so if in East Anglia, we choose Southampton’s left-back, how does that affect the club which is going to play in the Champions League?”

    “Well, once all the players have been chosen, by voters in different parts of the country, they see which club has the most players elected, and that club gets to play in the Champions League.”

    “Eh? So if six of the players chosen are from Chelsea, then Chelsea are in the Champions League, even if their left-back (who we didn’t want) is rubbish?”

    “Yep. Actually, it might only need three or four players from Chelsea to be chosen, as long as they’ve got more than any other club.”

    “So how can I get, say, Manchester United to be our club in the Champions League?”

    “Well, you could vote for Manchester United’s left-back.”

    “But he’s rubbish too. I wouldn’t want to vote for him.”

    “That’s all the choice they give you, unfortunately.”

    “What happens to Southampton’s left-back if we choose him, but overall it’s Chelsea who end up as our club in the Champions League?”

    “Southampton’s left-back would get to go to the match and hang around a bit, but he wouldn’t be in the team. Chelsea’s left-back would be the one who plays.”

    “That’s just stupid.”

    “That’s how they make sure it’s the same old clubs in the Champions League every season, even if they don’t have the best players.”